“I’m Not Staying On This Farm” a Tribute to Pearl by Artist Living Dead Girl Nicole

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When I first watched Ti West‘s slasher film X, I was blown away by Mia Goth‘s dual performance as both Maxine and Pearl. I was so impressed that when the prequel, Pearl’s “X-traordinary Origin Story,” was released, I had to watch it immediately. That was when I realized that Pearl had permanently axed her way into my creepy little heart and was immediately added to my Art Bucket List!

What can I say? I admire a woman who does not take no for an answer, especially when she is fighting for her dreams. And on a more personal note, I also understand what it feels like to be young, sensitive girl who feels stuck and cut off from the world, while living under the control of a guardian who cannot see or appreciate your aspirations. That kind of confinement leaves you quietly yearning for escape, because deep down you know you were meant for something more.

And it was not just Mia’s extraordinary performances that made me love the X Trilogy, including MaXXXine. It was the way Ti West threads the characters through the three films in such creative and unexpected ways that I find absolutely brilliant. He does not simply tell a story. He visually represents each film’s respective time period beautifully, builds an entire ecosystem of themes (who else caught the Wizard of Oz references in Pearl ?) and symbols that echo from one film to the next. The overlapping identities, the mirrored moments, the way ambition and darkness ripple through each character feels both relatable and unsettling in the most fascinating way.

This piece, which I call “I’m Not Staying On This Farm,” was created in pencil and chalk pastels and is my own small tribute to that messy and magnetic desire to become more than what the world expects. It also echoes the quiet heartbreak that runs throughout the trilogy, the way a person will do anything to reach their aspirations, the unraveling from rejection, and the emotional erosion that takes over you as you start to believe you are settling for “a life you do not deserve”.

For my art collectors who wouldn’t pass up the opportunity to feed a few folks to Theda, I have made-to-order* prints and wearable art t-shirts listed in my Etsy shop. Apply coupon code IMASTAR at check out and get 10% chomped off your order! 🐊

These items are also be available for purchase in my Latchet shop for those who prefer to use that platform to make your online purchase.

Giclee and canvas prints are currently in production for my art collectors to see in person and purchase at a discounted price* at Closet Collectibles (in Crete, IL.) when I do my next art drop!

New to my work? Be sure to check out the other portraits I have masterminded on the Spitting Image page of my portfolio website!

Stay Strange & Magical ✨
LDG Nicole

*Read more about my “never mass produced” creative process and in store discounted art prices here

“Voila! No More COVID” a Tribute to Uncle Baby Billy by Artist Living Dead Girl Nicole

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If you were a kid in the 80s, chances are you also witnessed your Grandma getting a little too excited by televangelists. Those larger-than-life, comical religious figures of mega churches live on your TV screen, promising miracles galore, letting you “praise God” from the comfort of your living room… and of course, reminding everyone to send in their tithes to keep the show on the air!

So it was no surprise that when Rough House Pictures released The Righteous Gemstones, my brother Mike, already a couple episodes in, told me, “You have to watch this show!” I hadn’t even heard of it yet, but as he described the over-the-top “holy rollers” and their absurd antics, I knew I was in for a wild ride.

As soon as I started watching the show, I was hooked and began tuning in every week. My husband and I would sarcastically announce, “It’s time for church!” every Sunday evening when the show aired. I was captivated by the comical “behind-the-scenes” lives of those running a megachurch, their greed, theatrics, and absurd charm all rolled into one chaotic spectacle. Watching it all unfold reminded me why, as an adult, I’ve taken a more spiritual path over Grandma’s traditional, organized religion.

But there was one character I couldn’t get enough of and every week hoped he would make an appearance, and that was Uncle Baby Billy Freeman, brilliantly played by Walton Goggins. His outrageous antics, sheer audacity, and hilarious one liners reminded me why I never got good vibes about Grandma’s TV miracle workers.

The first time I recall seeing Walton was as Officer Naish in House of 1000 Corpses, where his demise became a silent, chilling, and unforgettable moment that will forever go down in horror movie history. Every role I’ve seen him in since has been incredible and no matter what character he’s given, he knows the assignment. I mean, just look at Venus Van Dam in Sons of Anarchy! And here’s a funny one: while rewatching all of Beverly Hills 90210 to get my Brenda Walsh/Shannen Doherty fix, I had the mind-blown moment of realizing I was 44 years old when I discovered Walton had a small role on the show. Needless to say, Walton’s range, charisma, and sheer presence make him endlessly fascinating to watch and made it impossible not to add him to my art bucket list. I had hoped to finish this piece before the last episode aired but life got in the way and although the show is no longer on I wasn’t going to let that stop me from completing my vision. So here it is…

I call this piece “Voila! No More COVID!” a line Baby Billy uses to sell viewers on his smooth coconut elixir that is blessed by God and ready to heal all your ailments. Just like your Grandma used to love. This split face portrait of Walton and his televangelist alter ego was created using pencil, chalk pastels, and colored pencil.

For my art collectors who wish they could’ve been a contestant on Baby Billy Bible Bonkers, I have made-to-order* prints and wearable art t-shirts listed in my Etsy shop. Apply coupon code MISBEHAVIN at check out and get 10% slashed off your order!

These items will also be available for purchase in my Latchet shop (once they are imported) for those who prefer to use that platform to make your online purchase.

Giclee and canvas prints are currently in production for my art collectors to see in person and purchase at a discounted price* at Closet Collectibles (in Crete, IL.) when I do my next art drop!

New to my work? Be sure to check out the other portraits I have masterminded on the Spitting Image page of my portfolio website!

Stay Strange & Magical!
LDG Nicole

*Read more about my “never mass produced” creative process and in store discounted art prices here

“Daddy” A Tribute to Victor Crowley by Artist Living Dead Girl Nicole

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As an 80s kid growing up on slasher films like Friday the 13th, I’ve always felt so honored to have had the chance to meet and interact with so many legends, including the one and only Kane Hodder. From rubber band wars with him and Doug Bradley to getting those classic choke hold photos, Kane has never disappointed in our interactions. While others may slip on that iconic hockey mask, he will forever be Jason Voorhees to me (and to so many horror fans who revere his legacy).

With that being said, Kane has always been on my art bucket list. For years, I imagined creating a piece inspired by Jason, the character that made him such a horror icon. But all of that changed when one of my favorite filmmakers, Adam Green, unleashed us into the swamps of Victor Crowley.

When the first Hatchet film came out, it instantly felt like Adam Green’s love letter to slasher fans.. gory, unrelenting, yet full of heart and reverence for the genre. And at the center of it all was Victor Crowley, a character who felt made for Kane Hodder. This wasn’t just a role behind a mask; it was his chance to really shine. You could feel it in every guttural scream, every brutal kill, and every quiet, tragic moment. Adam gave Kane the opportunity to showcase not just his physical intensity, but also raw emotion in portraying both Victor and his “Daddy” Thomas throughout the franchise. It allowed Kane to bring both the monster and the man to life in a way that no one else could, and that inspired me to take my artistic tribute to him in a whole new direction.

It may have taken me many moons to finally cross this vision off my art bucket list, but I’m excited to finally share it with my art collectors. I call the piece “Daddy,” a word that holds so much weight in the Hatchet series and resonates deeply with the Crowley’s tragic backstory.

This split face portrait was created using pencil and chalk pastels, with the background colors inspired by the swamp and flames that engulfed The Crowley’s world.

I’m beyond excited to reunite with Kane in a few months during my next “artventure” to Flashback Weekend, where I plan to gift him the original portrait. It will also be my first time meeting Adam Green, the creative force behind so many of my favorite horror films, YouTube shorts, and the brilliant Holliston TV show, an absolute rare gem for horror fans that has my husband and I saying “basKET” and “piggly no wiggly” as part of our everyday vocabulary.

For my art collectors who are also fans of Kane and Adam Green’s Hatchet & Victor Crowley franchise, I have made-to-order* prints and wearable art t-shirts listed in my Etsy shop. Apply coupon code CROWLEY to your order at check out and get 10% slashed off your order!

These items are also available for purchase in my Latchet shop for those who prefer to use that platform to make your online purchase.

Giclee and canvas prints are currently in production for my art collectors to see in person and purchase at a discounted price* at Closet Collectibles (in Crete, IL.) when I do my next art drop!

New to my work? Be sure to check out the other portraits I have masterminded on the Spitting Image page of my portfolio website!

Stay Strange & Magical!
LDG Nicole

*Read more about my “never mass produced” creative process and in store discounted art prices here

“Just Look At Me!” a Tribute to Helen Sharp by Artist Living Dead Girl Nicole

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I was 12 years old when I first watched Death Becomes Her. I instantly fell in love with its blend of dark comedy and fantasy. The film not only entertained but also offered insights into women’s struggles with self-image and competitiveness. With its vibrant yet gothic color palette, stunning special effects makeup, and incredible performances, it quickly became one of my all-time favorites.

I’ve always adored Goldie Hawn in her other films, but Helen Sharp is definitely at the top of my list as my favorite character she has portrayed. She nails the role, exuding an irresistible blend of glamour and menace that is absolutely captivating.

Goldie Hawn as Helen Sharp in Death Becomes Her

So captivating that I’ve had her on my art bucket list for years. I decided it was time to bring Helen back from the dead… again. So, I rewatched the movie for the umpteenth time to decide which phases of Helen’s looks I wanted to capture. I chose to focus on her two “eternal youth” looks—before and after the iconic “Look at me, Ernest! Just look at me! I’m soaking wet!” moment. I also knew I wanted to incorporate the bold and dramatic hues from the film.

So with that all being said, here is my latest split face portrait I call “Just Look At Me!” done in pencil, chalk pastels, and colored pencil…

Living Dead Girl Nicole's split face portrait Just Look At Me of Goldie Hawn as Helen Sharp

For those of you that are also fans of Goldie as Helen Sharp, I have made-to-order* prints and t-shirts listed in my Etsy shop. Apply coupon code ETERNALYOUTH to your order at check out and get 10% off either!

Prints will also be made available to purchase in store at Closet Collectibles in Crete, IL as soon as I make my next art drop off.

Be sure to check out the other portraits I have masterminded on the Spitting Image page of my portfolio website!

Goldie Hawn and Bruce Willis in Death Becomes Her

Stay Spooky & Magical!
LDG Nicole

* None of my artistic creations are ever mass produced